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For the Flute

Louise Farrenc: "Very well crafted in a 'Mendelsschumannesque' mold." Germaine Tailleferre: "Engaging" Lili Boulanger: "Models of Gallic taste" Katherine Hoover: "Delicately evocative" Ludmila Ulehla: "Provocative" Stereo Review. Farrenc: "The charm and facility of the piece remind one of Mendelssohn, and it is excellently played." Kansas City Star. Recording: "An appealing album" Hoover: "anachronistically Impressionistic, though its piquant melody gives it a different twist and charm" OP: Independent Music.

Farrenc: "This work is a four-movement charmer, somewhat in the Mendelssohn style, but with a quite original approach to tonality and a lovely style of writing for the instruments." Tailleferre: "beautiful study in folk-style, harmonized with particularly sensitivity" Boulanger: "two lovely Debussyan pieces...[D'un Matin is] full of joy and pungent harmonies." Ulehla: "This is an improvisatory-sounding, but attractive piece ending a thought-provoking record." American Record Guide.


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